In time, we’ll build a library of hundreds of voices — southern-Appalachian, Scots-Irish, English, and Welsh — a living, growing archive of how ordinary people sound when truth and melody find each other.
It will be a modern, visual, and communal answer to the old field-recording tradition. In the 1930s and 40s, Alan Lomax crossed the American South with a microphone and a notebook, capturing the raw songs of sharecroppers, chain-gang choirs, and back-porch pickers before their music slipped into silence. But long before Lomax, there were others doing the same across the Atlantic — Hamish Henderson roaming the Highlands, Seamus Ennis tracing the Irish airs, Peter Kennedy and Ewan MacColl preserving the songs of England and Wales. They weren’t chasing fame or polish; they were chasing truth in sound.
WLMP carries that same fire into the digital age. Our microphones are phones, our field is the world, and our songs come as videos, stories, and prayers from porches, pubs, and pews. Each submission becomes another recording in a great unfolding folk archive of faith and everyday life — a chorus of accents and emotions that tell who we are and what still matters.